Puplications
Kunstletters
Kunstletters is an art magazine dedicated to celebrating creativity and innovation. Each seasonal issue features inspiring conversations, captivating portraits, exhibition recommendations, and the latest insights into trends and techniques. Immerse yourself in beautiful visuals while discovering both emerging and established visual artists. In 2023-2024, we had the pleasure of collaborating as a photographer on several issues, reinforcing our shared commitment to highlighting diverse artistic voices and fostering meaningful connections within the art scenes of Flanders and Brussels.
2023
2024
Unknown Landscapes
Unknown Landscape by Monali Meher is a poetic exploration of the emotional and psychological dimensions of landscape, where the external world and our inner realities intersect. Through reflective prose, Meher examines themes of identity, memory, and belonging, suggesting that landscapes are not just physical spaces but dynamic terrains that shape our perceptions of self and the world. Drawing on her background as an artist, she weaves personal experience with broader philosophical reflections, blending lyrical introspection with visual sensibility. The book invites readers to consider how the landscapes we inhabit—whether real or imagined—constantly evolve, influencing our sense of identity and our connection to the world around us.
The People are the City, the City are the People
The People are the City, the City are the People, is a series of sculptures focusing on the city. It's the people who make the city. Lieze collected pieces of casts of hands of passers-by. Not in a random place, but on the construction site in Kipdorp, Antwerp. That site is the starting point of the series that brings together pieces of castings of passers-by, stones and material and photographs of the site. The construction site right in the citycenter symbolizes the rapidly changing city, and how people shape their surroundings. All these elements come together in small collages, showing the softness of human skin, contrasted with the hard elements of the construction site.
